top of page
TARTAN CALENDAR      Jan     Feb     Mar     Apr     May     Jun     Jul     Aug     Sep     Oct     Nov     Dec     TARTAN CALENDAR 

Click the tartan to view its entry in The Scottish Registers of Tartans which includes registration details, restrictions, and registrant information.


Unregistered tartans may link to one of the web's online design environments for similar information.


For any questions about reproduction of designs or weaving of these tartans, please contact the registrant directly or via this website.

the Battle of Culloden

"Dark, dark was the day when we looked on Culloden
And chill was the mist drop that clung to the tree,
The oats of the harvest hung heavy and sodden,
No light on the land and no wind on the sea."

~ Culloden, Andrew Lang (1844-1912)

The Battle of Culloden, fought on April 16, 1746, near Inverness in the Scottish Highlands, marked the definitive end to the Jacobite Rising of 1745. This brutal confrontation pitted the Jacobite forces of Charles Edward Stuart, "Bonnie Prince Charlie," against the loyalist troops commanded by the Duke of Cumberland, representing the British government. The battle was notably quick, lasting only about an hour, but it was exceedingly bloody and decisive. The Jacobites were overwhelmingly defeated, suffering great losses, which effectively crushed their rebellion and ended any serious attempts to restore the Stuarts to the British throne. The aftermath of Culloden was grim, as repressive measures and brutal retributions were imposed on the Scottish Highlanders, aimed at obliterating the clan system and suppressing Gaelic culture. This battle was not only a significant military event but also a cultural and historical turning point that reshaped the Scottish Highlands and its culture forever. This tartan was reproduced from a discovered original Culloden coat, now on display at the Kelvingrove Museum. 🖤

In the immediate aftermath of Culloden, the British government embarked on a brutal campaign of retribution and suppression, aimed explicitly at dismantling the clan system, which was the cornerstone of Highland society. The Acts of Proscription, passed in the years following the battle, outlawed the wearing of tartan and the kilt by men and boys, two potent symbols of Highland identity. The Gaelic language, another pillar of Highland culture, was suppressed, and traditional rights to bear arms were revoked, further eroding the societal structure of the Highland communities.

The repercussions of these acts were profound and far-reaching. The Highland Clearances that followed reshaped the landscape both physically and socially. Large numbers of Highland Scots were forcibly evicted from their ancestral lands to make way for sheep pastures, a more economically profitable venture for the landowners. These clearances led to a significant depopulation of the region, with many Highlanders either migrating to urban areas of Scotland or emigrating to the colonies, including North America and Australia.

Moreover, the destruction of the clan system dismantled the traditional support structures, leading to increased poverty and displacement. The suppression of cultural expressions such as music and poetry, along with the decline of traditional Gaelic education, contributed to a loss of cultural heritage. Highland culture, once vibrant and distinctive, was pushed towards oblivion, with only remnants surviving under the oppressive policies of the British government.

This cultural devastation had lasting effects on the identity and social fabric of the Scottish Highlands. Over time, what was once a fiercely independent and culturally rich region became more aligned with the lowland Scots in both language and cultural practices, significantly diminishing the unique Highland way of life. The Battle of Culloden, therefore, was not merely a military loss but a profound and sorrowful event that led to the near extinction of the ancient customs and societal structures of the Scottish Highlands.

For more on this significant event, click the famous painting by David Morier.

bottom of page